Here is raw noise waveform from NI Massive synth. What about using amplitude envelope in LFO mode? This can produce tremolo and stutter effects and with changing the envelope in LFO mode settings for each breakpoint even more complex effects can be achieved. The envelope will be looped as long as the note is held. This can produce some really good results since you can loop envelopes for any parameter in Absynth.īe sure to put envelope in Loop mode like in the picture below and then trigger the envelope with single midi note. Now with changing velocity values you can get some interesting and complex gating effects.Īnother much more interesting way to obtainn gating effects is to loop the envelope and sequence it from within the Absynth. Here I have assigned the time and amplitude of volume envelope of oscillator A to velocity and also frequency shifter’s pitch effect envelope. Since you can control the envelope slopes with velocity we can make some quite complex gating effects. We could simply trigger the envelopes with short notes from midi channel in your host. We can also use Absynth as a gate effect. Here is sample of basic unmodulated waveform from Massive going into Absynth FX and in the second part of the sample you can hear processed vocal sample. Sure we could automate the filter movement but we could also use internal Absynth envelope which offers some advanced features such as envelope LFO.įor triggering the envelope you should route MIDI track in your host to AbsynthFX unit and trigger the envelope with a midi note. Let’s say we want to create 8 bar long filter sweep. Here we go, now we can easily fade between dry and wet signal with Macro control 1.Ībsynth is great for using it as a simple effect processor for example for creating filter sweeps. Invert the modulation for Channel A Vol like in the picture below. Go to the Perform tab and choose Assignments menu. Right click on a volume slider for both channel A and Channel B and set them both to be controlled by Macro 1 slider. We will use Channel A in Absynth for dry signal and Channel B for wet, effected signal. Let’s first create simple dry/wet control in Absynth.
![how to use absynth 4 library in absynth 5 how to use absynth 4 library in absynth 5](https://www.pluginguru.com/wp-content/uploads/2016/07/Box_Absynth-V1.jpg)
If you choose Stereo mode then Input one is left channel and Input 2 right channel in your host. By default it is in mono mode and Input 1 represents left channel in your DAW. For this to work you must load Absynth FX in your host which is an audio effect version of Absynth.Ĭhoose Audio In mode for the oscillator.
HOW TO USE ABSYNTH 4 LIBRARY IN ABSYNTH 5 HOW TO
Instead will look into more specific features of Absynth FX such as using it for envelope following, complex gate sequencing, stereo effects, transition effects and also how to trigger envelopes in Absynth with external audio.Įach oscillator in Absynth can act as an external audio input. There are many uses of Absynth as a classic effect unit and there are some great FX presets in Absynth factory library you should explore.
![how to use absynth 4 library in absynth 5 how to use absynth 4 library in absynth 5](https://dt7v1i9vyp3mf.cloudfront.net/styles/news_large/s3/imagelibrary/n/ni2-CGZ765mhAsstYqRjN98fPbC50n4F56yi.jpg)
In this tutorials we are exploring Absynth as an FX unit.